Unraveling the Intricate Design of the Taj Mahal: The Splendor of the Arc and Door in the Mughal Architecture
Successive Golden Rectangles dividing a Golden Rectangle into squares
(logarithmic spiral known as the golden spiral)
The Taj Mahal
The intricate design of the Taj Mahal, including its
splendid arches and doors, incorporates a variety of
geometric shapes and principles that enhance its aesthetic
appeal.
The spandrels (triangular spaces between
the arches and the rectangular frame) on the arches of the
Taj Mahal follow a triangular pattern that is based on
geometric principles. The triangles decrease in size as they
approach the apex of the arch, and their sizes are
determined by the height of the arch and the width of the
rectangular frame. These triangles are known as "isocelene
triangles," which have two equal sides and angles.
The Taj Mahal's doorways feature a
rectangular shape with rounded edges, known as a "chamfered
rectangle." The corners of the rectangle are cut off at a
specific angle, creating a subtle curve on each side. This
geometric design is not only visually appealing, but also
serves the practical purpose of allowing the door to open
and close easily without getting stuck on the frame.
Overall, the use of geometric principles in the design of
the Taj Mahal's arches and doors contributes to its
harmonious and balanced aesthetic, and serves as a testament
to the skill and precision of the Mughal architects who
built it.
Golden rectangle
A golden rectangle
is a rectangle whose side lengths are in the golden ratio,
one-to-phi, that is, approximately 1:1.618. A distinctive
feature of this shape is that when a square section is
removed, the remainder is another golden rectangle, that is,
with the same proportions as the first. Square removal can
be repeated infinitely, which leads to an approximation of
the golden or Fibonacci spiral.
Droste Effect
The Droste effect, also known as "mise en abyme," refers
to an image that contains a smaller version of itself, which
in turn contains an even smaller version, and so on, in a
self-repeating pattern.
While the Taj Mahal does not have a literal Droste
effect, some interpretations of its architecture can create
a similar effect. For example, the Taj Mahal's central dome
and its four smaller domes on each corner are arranged in a
way that creates a repeating pattern, with each smaller dome
appearing to contain a miniature version of the central
dome. This creates a sense of depth and repetition that can
be interpreted as a type of visual Droste effect.
In addition, some photographs of the Taj Mahal,
especially those taken from certain angles or perspectives,
can create a sense of the Droste effect through the
reflection of the building in surrounding water or mirrors.
This creates a recursive image that appears to contain
smaller versions of itself, and adds to the mystical and
enchanting quality of the Taj Mahal's design.
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by Antonio Gutierrez
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