Nassos Daphnis.
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Nassos Daphnis: 17-74-75, 1974, 1975, Op Art and Kaleidoscope.
"17-74-75, 1974, 1975" by Nassos Daphnis
Credit: Courtesy
Anita Shapolsky Gallery
Nassos Daphnis, an Artist of Geometry
Nassos Daphnis, a Greek-American artist who deployed brilliantly colored geometric forms in precise formal relationships to create nervous, dynamic paintings on a heroic scale, died on Nov. 23 in Provincetown, Mass. He was 96 and lived in Manhattan.
Mr. Daphnis, a florist by early training and a renowned cultivator of hybrid tree peonies, drew on his sensitivity to color and his keen understanding of nature’s geometry to develop a precise, hard-edged painting style that harked back to Mondrian and looked forward to minimalism. Its dynamism depended on the tense juxtapositions of primary colors arranged in rectangles, squares and curved lines to create what he called “vibrations.”
Source:
NYTimes.com.
Op Art
Op art, also known as optical art, is a style of visual art that makes use of optical illusions.
"Optical art is a method of painting concerning the interaction between illusion and picture plane, between understanding and seeing."
Op art works are abstract, with many of the better known pieces made in only black and white. When the viewer looks at them, the impression is given of movement, hidden images, flashing and vibration, patterns, or alternatively, of swelling or warping.
Source:
Wikipedia, Op Art
Kaleidoscope
A kaleidoscope is a tube of mirrors containing loose coloured beads, pebbles, or other small coloured objects. The viewer looks in one end and light enters the other end, reflecting off the mirrors. For a 2D symmetry group, a kaleidoscopic point is a point of intersection of two or more lines of reflection symmetry. In the case of a discrete group the angle between consecutive lines is 180°/n for an integer n≥2. At this point there are n lines of reflection symmetry, and the point is a center of n-fold rotational symmetry. Source:
Wikipedia,
Kaleidoscope.
Hard-edge painting
Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas are often of one unvarying color. The Hard-edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Field painting.
This style of hard-edge geometric abstraction recalls the earlier work of Kasimir Malevich, Wassily Kandinsky, Theo van Doesburg, and Piet Mondrian. Other artists associated with Hard-edge painting include Josef Albers, Richard Anuszkiewicz, Max Bill, Ilya Bolotowsky, Nassos Daphnis, Ronald Davis, Gene Davis, Burgoyne Diller, Peter Halley, Al Held, Robert Indiana, Ellsworth Kelly, Alexander Liberman, Agnes Martin, Kenneth Noland, Georg Karl Pfahler, Ad Reinhardt, Bridget Riley, Ludwig Sander, Leon Polk Smith, Frank Stella, Myron Stout, Leo Valledor, Victor Vasarely, Neil Williams, Mária Balážová and Larry Zox. Source: Wikipedia, Hard-edge painting.
Geometric Abstraction
Geometric abstraction is a form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusionistic space and combined into non-objective (non-representational) compositions.
